Great essay by Monologist Mike Daisey on American theatre. Or perhaps the slow death of the possibility of ever having a paying career in the theatre in America.
"The regional theater movement tried to create great work and make a vibrant American theater tradition flourish.
That dream is dead. The theaters endure, but the repertory companies they stood for have been long disbanded. When regional theaters need artists today, they outsource: They ship the actors, designers, and directors in from New York and slam them together to make the show.
Not everyone lost out with the removal of artists from the premises. Arts administrators flourished as the increasingly complex corporate infrastructure grew. Marketing and fundraising departments in regional theaters have grown hugely, replacing the artists who once worked there, raising millions of dollars from audiences that are growing smaller, older, and wealthier. It's not such a bad time to start a career in the theater, provided you don't want to actually make any theater."
when I think of some of the amazing, huge, beautiful theatres I have performed in all over the world that sit empty most of the time because it is simply too expensive to program theatre in the spaces that were designed to perform theatre, I wonder how true this essay is everywhere right now.
you can find the whole article here
No comments:
Post a Comment